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Interview With Bruce Broder, Director of CHOPS

10 February 2010 No Comment

Fellow University of Michigan Alum Bruce Broder has filmed an award-winning documentary about a high school jazz band that competes in the Essentially Ellington jazz band competition at Lincoln Center. Broder had, and still has, a successful career in advertising for 25 years before he decided to venture into film making. Now, his documentary Chops has screened at numerous film festivals nationwide.

It is also screening at the Michigan Theater on Friday, February 12th at 7:00 pm.  Seeing as I categorized myself as somewhat of an orchestra nerd (we fondly referred to ourselves as “orch dorks”) through high school, I was excited to find that the film was meant to uncover the world of high school musicians and their mentors. Thus, I jumped at the opportunity to interview Mr. Broder about his film, inspirations and future plans.

Bruce Broder, Director of CHOPS

Did your experience at Michigan influence your film in any kind of way?

My best friend and roommate at Michigan was a film maker, and we were very close ever since. So, he really introduced me to the world of film making back in Michigan. I’ve always been interested in it. So yes, that’s where the first exposure to the production side of it came from.

Where did you get the inspiration for your film?

Being a band parent. My kid was in a music program in a public high school in Jacksonville. That’s where I got introduced to all the kids in the movie. That’s where I got introduced to the world and the life which was unique to music teachers and parents. I felt that if I said my kid played football, people would know what I was talking about. But I didn’t feel that the life of high school musicians had that much exposure. I wanted to increase the exposure of what it was like to be in a band in high school.

What was the most difficult aspect of filming?
Well the most exasperating and pleasurable was dealing with the people. There were a lot of individuals in the film and people to get clearances from. It becomes very difficult to navigate all of that. You like to have the camera rolling all the time, but I need a lot of permission to film things, and that becomes difficult. I think it’s the same for any documentary maker.
I heard one of the main characters of the film is actually your own son. How was the experience of filming someone so close to you?
Though the fact that my son was in the group that I followed, I think you’ll see that I’m close to many of these kids, and that’s how it turned out. It wasn’t long before they were all my kids. Part of that life (the life of being a band parent) was looking after them. It worked out very well. I got to go to high school again pretty much. I was with them a lot. With him I think there were some burdens, since I was popping up everywhere all the time, but I think him and the other kids eventually got used to me being a permanent fixture  in the band room.
Why jazz? What do you think separates jazz from other music genres?
I’ve always liked jazz and grew up in Detroit and went to jazz lounges. I like other genres of music as well.
These kids love jazz, but they also love all kinds of music. Playing jazz gives you the special skill of improvising and playing things by ear. Some of these kids are like 12 years old and can play anything they want from ear. They seem to have a quick sense of playing instruments. One day I was with the school band as a chaperone in a competition, and this player who is a trombonist in the orchestra was there too. I suddenly heard some really great piano playing from the other room, and I went over to see who this great pianist was, and it was the trombone player. The kids can play all different types of instruments and music. They are trying a lot of things.
Is there anything you learned while filming? How did the kids inspire you?
Both the kids and the teachers were inspirational. I think whenever we are in the presence of people who love what they do and do things they never thought possible, we are inspired. They showed me what it takes to be transcendent. They do something in this movie that is transcendent.
That sounds like there’s a metaphor in there somewhere. Do you have a metaphor about music and life?
I think my film says that for me, the way I’d like it to be said.
Are you working on any other projects?

I’m looking for the next project, and for the meantime I’m shooting some commercials. I definitely have the bug, let’s put it that way.

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