Summer Beats from the Middle East
Violence, terrorism, oil. These are the perhaps the most common – if not only – things Americans address when discussing the Middle East today. While this ancient region of the globe may be more known as a hotbed of political conflict and ethnic turmoil, SHEI would like to draw attention to an often-neglected aspect: music. For the remainder of the summer, we encourage you to broaden your global horizons and sample the rich rhythms of the Middle East on your party playlist.
Arabic is a remarkably diverse language that lends itself beautifully to song. Linguistic variety enriches the Middle Eastern musical scene immensely, as the recording industry meccas of Beirut and Cairo cater to a host of multinational and cultural traditions. The fluid, sultry quality of UAE singer Mai Selim’s Egyptian Arabic – one of the most musically popular and widely understood dialects - is a cool contrast to the upbeat Levantine sung by megastar Nancy Ajram, whose perky, robust vocals sell millions of albums throughout her native Lebanon.
Why are these beats perfect for summer? Unbeknownst to many westerners, Arabic pop is some of the most sophisticated dance music to be found. Modern jams draw heavily from many American and Euro club influences, their heavily synthesized house rhythms nuanced with exotic, timeless Middle Eastern string instrumentals and belly-dance percussion that will make you want to move with it. Whether you’re traveling with the iPod or relishing the summer outdoors – sun-kissed poolside or partying on a warm evening – switch off the Top 40 and discover the transporting and irresistibly colorful echoes of the arabophone world.
Sample the deliciously flamboyant videos and recordings below to get a feel for the manifold sounds and artists the Middle East has to offer your summer playlist.
- Eamonn Wright
Saktalo (from Lina Kalam Ba3den, 2010) – Mai Selim
Mashy Hady (from Betfakar Fi Eih, 2008) – Nancy Ajram
A selection of 2010\’s best Arabic pop
A selection of 2010\’s best Arabic pop – Part 2








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